Events Diary
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For further information and application forms for BKA courses please
download the Courses Guide (see download link below),
e-mail enquiries@britishkodalyacademy.org or
telephone the BKA Helpline on: 020 8971 2062.
Download the 2009-10 BKA Course Guide here
BKA courses feature our logo: ![]()
2009
Tuesday evenings commencing 15 September for three terms
New Kodály Conducting Course
with Esther Hargittai
London SE20
2010
February 6 – 7
Kodály in the Klassroom!
Loughborough
Presented by Len Tyler
Download poster and application form
February 25
One-day Conducting course with BKA Patron, Douglas Coombes
Chelmsford
Organisers: Schools Music Association
February 28
An opportunity to workshop with D László Nemes
and other BKA tutors in Birmingham
Download full details and application form
March 6 – 7
Kodály in the Klassroom!
Farnborough
Presented by Len Tyler
Download poster and application form
April 13 – 16
Kodaly Spring Course
Leicester University
Download more details
Download Application Form
Download 'Ofsted & Kodály'
Download Tutor summaries
February 15 – 17
(arrival Sunday 14, departure Thursday 18 February)3-day visitor's course at the Kodály Institute
with class observations in the Kodály Music Primary School
and in a local Primary School.
Download more information (inc. application details)
May 9
Why Kodály?
Hatfield
Presented by Len Tyler
Download poster and application form
August 8 – 15
28th BKA International Summer School
Leicester University
More details and application form
Download 28th International Summer School flier
Begins 8 – 15 August
Springboard Certificate Course
Leicester University
More details and application form
Download BKA Certificate programme flier
Sept 2010 – June 2011
BKA FOUNDATION OR BEGINNER COURSE
Newcastle Upon Tyne, from Sept 2010 to June 2011.
Weekly evening class. Contact Sarah Robinson.
Email robinson.l.sarah@gmail.com or tel. 07977 218883.
"Somebody once said that a consummate musician is one who, on first hearing a complex classical work, can visualise the score as it really is. This is the highest conceivable level a musician can reach. (From "Musical Rules at Home and in Life", notes to Album for the Young)". Robert Schumann